Updated on: August 11, 2025
Basic Information
| Field | Detail |
|---|---|
| Name | Tomer Devito (often stylized as Tomer DeVito) |
| Occupation | Film / creative producer; founder and executive at boutique production companies |
| Companies associated | Native Content / Native Pictures; involvement with creative collective Wild Gift |
| Known for | Founder/manager roles in production; indie and branded-content producing credits |
| Notable family ties | Ex-spouse Eden Sassoon; father-in-law by marriage (formerly) Vidal Sassoon |
| Children | Olivia (sometimes referenced as Olivia Catya Sassoon Devito) and Tyler |
| Marriage timeline (reported) | Married circa mid-2000s (often cited as ~2004–2008); divorce filing reported in 2008 |
| Reported historical income (divorce filings snapshot) | Tomer: reported ~$8,300/month; Eden: reported ~$3,500/month |
| Public profile | Los Angeles–based, industry trade presence; keeps a relatively private personal life |
A Producer’s Silhouette — career, credits, and the kind of work that lives backstage
I’ve always thought of producers as the quiet stage managers of the film world — the people who line up the props, negotiate the extras, and somehow, miraculously, make the camera roll. Tomer Devito reads like one of those figures: the name on the company masthead, the executive credit in festival brochures, the byline on a branded-content launch. He’s been described in industry circles as the founder and managing director of small, creative production outfits — Native Content / Native Pictures — and later as a collaborator on projects tied to collectives like Wild Gift. That tells me two things at once: first, he plays the organizational, business-facing role that keeps creative projects alive; and second, he likes boutique, hands-on operations rather than corporate-scale studios.
If you map his public filmography, you’ll find producing and executive-producing credits — a blend of indie fare, festival pieces, and branded work. That’s the classic producer arc in the 21st century: shorts and indies that test the craft, paired with commercial or content-driven projects that pay the bills and keep a company afloat. It’s a world where festival laurels matter, but so do client relationships, distribution know-how, and the ability to shepherd a threadbare budget into something watchable. Tomer’s trail in that space suggests a career spent in the practical alchemy of making things happen — casting the right crew, closing the right deals, and keeping the lights on.
Family, custody, and the small domestic stories that become public
Here’s where the narrative turns from trade journals to family snapshots. Tomer was married to Eden Sassoon — a public figure in her own right as a salon entrepreneur and reality-TV personality — and together they had two children, Olivia and Tyler. Public records and press reports show a divorce filing in 2008 and subsequent arrangements for shared custody; those filings also contained financial disclosures that were reported back into the press. Marriage, separation, custody — those are the structural beats that often take a private life into public view.
The family picture has a few notable edges. Eden is the daughter of Vidal Sassoon, and that lineage sometimes surfaces in discussions about the family’s public profile. During their marriage, the couple reportedly lived in the Los Angeles area and worked through the practicalities of parenting even after separation. Social posts, parental mentions, and the occasional friendly co-parenting reference in the media paint a picture of two parents trying to navigate family life amid public attention — not glamour so much as logistical tenderness: school runs, birthdays, shared schedules, and Instagram captions that read like postcards.
Timeline — key public milestones
| Year | Event |
|---|---|
| ~2004 | Reported period when marriage to Eden Sassoon began (approximate). |
| 2008 | Divorce filing reported; custody and financial disclosures surfaced in public filings. |
| 2010s–present | Continued production work, founding and managing boutique production companies; collaboration on creative collectives and branded-content projects. |
That’s the outline: a domestic arc that intersects with a professional one, each informing the other. Kids, custody calendars, and production schedules — the messy choreography that makes both home and set possible.
Money matters — what paperwork revealed and what remains private
Court filings from the divorce period included income snapshots that the press summarized: in that specific snapshot, Tomer’s monthly income was reported at roughly $8,300, while Eden’s was reported around $3,500. Those are historical figures tied to specific filings and should be read as that — a momentary ledger rather than a lifetime valuation. Beyond those slices, there’s no authoritative public net-worth figure attached to Tomer in mainstream finance trackers. What you do see, though, is the profile of a hands-on producer running boutique companies — that business model often trades headline wealth for steady cashflow, client partnerships, and project-based revenue.
If you prefer the cinematic image: think of a producer balancing the books in one hand and a script in the other — not the mogul in a high-rise, but the executive who knows the line items and who will stay on a night shoot because no one else can solve that location problem.
Public persona and social traces
Tomer’s public persona is concentrated and professional. Industry trades and event photography capture him at launches and gatherings; there’s an Instagram presence that appears more private than performative; and press write-ups tend to place him in context — as a co-parent, as a company head, as a producer. On the other side, Eden’s social media has been a more public window into family life, with posts referencing the children and parenting moments. Together, the images that filter through social media and event photography give us small, humanizing details: a holiday post here, a birthday mention there, the occasional family snapshot — private life glimpsed through a keyhole.
The shorthand profile — what I take away when I close the dossier
When I close a file like this, I’m left with a few clear impressions: one, Tomer Devito is an industry-focused producer who prefers the hands-on world of boutique production; two, his public identity is inseparable from a family life that once centered on Eden Sassoon and their two children; and three, the public record is purposeful in its gaps — we see company names, credits, filings, and domestic milestones, but not every backstage conversation or business ledger. In biography, silence can be its own statement — an emphasis on privacy in an age that mistakes visibility for meaning.
FAQ
Who is Tomer Devito?
Tomer Devito is a Los Angeles–based film and creative producer known for founding and managing boutique production companies and for producing indie and branded-content projects.
Was Tomer married to Eden Sassoon?
Yes — Tomer was married to Eden Sassoon; reports indicate the marriage took place in the mid-2000s and a divorce filing was reported in 2008.
Do Tomer and Eden have children?
They share two children, a daughter named Olivia and a son named Tyler.
What companies is Tomer associated with?
He’s been linked to Native Content / Native Pictures and has been involved with projects or collectives such as Wild Gift.
Are there public financial records for Tomer?
Divorce filings reported a snapshot of monthly income (approximately $8,300/month for Tomer in that filing), but there is no widely published, authoritative net-worth estimate.
How public is Tomer’s life?
Relatively private — his professional footprint appears in industry trades and credits, while personal life details surface mainly through custody filings and occasional social-media glimpses.
